Nabel Tiles · 诺贝尔
Compare light, shade, pattern and the foundation of the room.

MATERIAL · SPACE
We consider light, scale, circulation and existing finishes together before discussing colour, texture and format.

PERSPECTIVE · 01
The same surface changes with light, scale and adjacent finishes. By understanding the whole room before comparing samples, the right choice becomes clearer.
MATERIALS & SPACE · 02
We do not rush to find the “best-looking” tile. We observe how light moves, how scale unfolds and how timber meets metal, then decide whether a surface should feel quiet or become the focus.


Daylight and artificial lighting alter colour temperature, depth of pattern and surface reflection.
Room width, wall divisions and furniture volume determine format and laying composition together.
Matt, soft-gloss and textured finishes should be understood through everyday movement and use.
THREE BRANDS · 03
We curate three core brands through the lens of space. Every product is still judged in real light, beside neighbouring finishes and at the scale of the room.
Compare light, shade, pattern and the foundation of the room.

Read surface and scale through a complete showroom setting.

Understand spatial expression through continuous large surfaces.
REAL SPACES · 04
These images do not define a style. They record how materials meet daylight, furniture and everyday objects once they enter a room.

Warm grey flooring connects both zones while dark frames define the outline.

Broad grey surfaces meet high-level daylight, balanced by the warmth of timber furniture.

Slender tiles create a subtle rhythm through soft grey-green variations.
OUR PROCESS · 05
From room information to the final combination, we establish the overall relationship first and narrow the material range step by step.
Floor plans, orientation, site photographs and confirmed joinery or furniture give us the right starting point.
We clarify light and shade, warm and cool tones, and visual focus before assigning a role to walls and floors.
We place close options together to read differences in colour, pattern, reflection and adjacent finishes.
Each selected direction is matched to its location, keeping the material relationship clear for later review.
SELECTION GUIDES · 06
Reconsider wall and floor materials from three perspectives that are easy to overlook.
Understand colour shifts through daylight direction, colour temperature and surface reflection.
Format must respond to room width, joints, furniture and viewing distance.
Up close it is detail; from a distance it becomes rhythm and visual weight.
Step back from the material and notice its visual weight in the room.

ABOUT · 07
Based in Wuxi, TAOPU approaches tiles and sintered stone through the perspective of space.
We present Nabel Tiles, Xinghui Tiles and New Rock Element slabs. Our concern is not only the single sample, but how material lives with light, scale and everyday life.

VISIT · 08
Bring a floor plan, site photographs and information about confirmed finishes. We begin by understanding the room, then look at specific products.
2F, Hongyang Home Furnishings, No. 55 Xihu Middle Road, Liangxi District, Wuxi, Jiangsu, China
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